Welcome to Music Friday, when we spotlight songs that shine with jewelry, gemstones or precious metals in the lyrics. Today, we revisit the summer of 1971 hit “Don’t Pull Your Love” by Hamilton, Joe Frank & Reynolds — a song that captures the fragile moment when love hangs in the balance.



Frontman Dan Hamilton delivers a heartfelt plea to a departing lover, begging her not to board that “big white bird.” But it’s one line in particular that resonates deeply with jewelry lovers: his desperate question about the “brand new ring.”

Those three words become the emotional centerpiece of the song. The ring is more than a piece of jewelry — it’s a promise, a future, a symbol of commitment that now feels heartbreakingly uncertain.

He sings, “Haven’t I been good to you? / What about that brand new ring? / Doesn’t that mean love to you? / Doesn’t that mean anything?”

The implication is clear: the relationship has reached a milestone, likely an engagement or a serious pledge, and the ring represents permanence. Now, as she prepares to leave, the once-cherished symbol has lost its meaning — or worse, become a painful reminder of what’s being abandoned.

That emotional tension helped propel the song, written by Dennis Lambert and Brian Potter, to #4 on the Billboard Hot 100 and #1 on the Cash Box chart. More than five decades later, it still strikes a chord as a timeless story of love, loss and longing.

Interestingly, the summer of 1971 was also marked by a very different kind of milestone. While this soft-rock ballad climbed the charts, Apollo 15 was making history, landing astronauts on the Moon on July 30. It was a season defined by both emotional and literal journeys — one about a man trying to hold onto love, the other about humanity reaching farther than ever before.

Fast-forward to today, and history is repeating itself in a new way. This week’s launch of Artemis II marks the first crewed mission to the Moon in more than 50 years, reconnecting us with that same spirit of exploration that defined 1971.

As for the band, time has inevitably changed its lineup. Hamilton passed away in 1994, and Tommy Reynolds died in 2023. Joe Frank Carollo, now the sole surviving original member, has continued to stay connected to music in the years since the group disbanded in 1980.

Please check out the audio track of Hamilton, Joe Frank & Reynolds performing “Don’t Pull Your Love.” The lyrics are below if you’d like to sing along…

“Don’t Pull Your Love”
Written by Brian Potter and Dennis Lambert. Performed by Hamilton, Joe Frank & Reynolds.

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

You say you’re gonna leave
Gonna take that big white bird
Gonna fly right out of here
Without a single word
Don’t you know you’ll break my heart
When I watch you close that door
‘Cause I know I won’t see you anymore

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

Haven’t I been good to you?
What about that brand new ring?
Doesn’t that mean love to you?
Doesn’t that mean anything?
If I threw away my pride
And I got down on my knees
Would you make me beg you, “Pretty please?”

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears

There’s so much I wanna do
I’ve got love enough for two
But I’ll never use it girl if I don’t have you

Don’t pull your love out on me baby
If you do then I think that maybe
I’ll just lay me down and cry for a hundred years
Don’t pull your love out on me honey
Take my heart, my soul, my money
But don’t leave me here drownin’ in my tears



Credit: Photo (cropped) by ABC / Dunhill Records, Public domain, via Wikimedia Commons.

As the world turned its eyes skyward yesterday, Artemis II was poised to make history with the first crewed journey around the Moon in more than half a century. For jewelry lovers, however, this milestone isn’t just about exploration — it could mark the early steps toward an entirely new source of precious metals.



Launching from Kennedy Space Center, the 10-day mission will carry four astronauts — Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen — on a sweeping arc around the Moon and back to Earth. It’s the first time humans will venture that far since the Apollo era, and its success is expected to pave the way for a crewed lunar landing as early as 2028.



That future mission isn’t just about planting flags — it could unlock a treasure trove beneath the Moon’s cratered surface.



According to research published in Planetary and Space Science in 2025, lunar craters may contain more than $1 trillion worth of platinum group metals, including platinum, palladium and rhodium. These valuable materials didn’t originate on the Moon itself. Instead, they were delivered over billions of years by asteroid impacts — cosmic collisions that scattered metal-rich debris across the lunar landscape.

Scientists estimate that roughly 6,500 craters could hold commercially viable concentrations of these metals. In many cases, the force of impact caused molten asteroid material to pool within the craters, effectively concentrating the very elements prized in fine jewelry and high-tech manufacturing.

If even a fraction of that material becomes accessible, it could reshape the global supply of precious metals.

Beyond platinum group metals, the Moon may also harbor another extraordinary resource: helium-3. This rare isotope — virtually nonexistent on Earth —is believed to exist in meaningful quantities in the lunar soil. With an estimated value of about $20 million per kilogram, helium-3 is highly sought after for its potential role in clean nuclear fusion and even in cooling next-generation quantum computers.

For now, these possibilities remain largely theoretical. Extracting and transporting materials from the Moon presents enormous engineering and financial challenges. Robotic mining systems, new propulsion technologies and international agreements will all be required before lunar resources can realistically reach Earth.

Still, Artemis II represents a critical step forward. By testing the Orion spacecraft and the systems needed to sustain human life in deep space, the mission lays the groundwork for a sustained human presence on the Moon. And with that presence comes the potential for commercial activity — mining included.

Imagine a future where a platinum ring can trace its origins not to a terrestrial mine, but to a lunar crater formed billions of years ago. It’s a concept that blends science fiction with emerging reality.

Of course, the timeline is uncertain. Even with a successful Artemis II mission and a targeted lunar landing later this decade, large-scale mining operations are likely years — if not decades — away. But the direction is clear: space is becoming the next frontier not only for exploration, but for resources that could one day influence everything from engagement rings to high-performance alloys.

Credits: Artemis II photo courtesy of NASA/Joel Kowsky. Artemis II crew photo courtesy of NASA/Kim Shiflett. Crater image courtesy of NASA/GSFC/Arizona State University.

As April shines a spotlight on diamond — the month’s official birthstone — few gems capture the imagination quite like the extraordinary "Motswedi" diamond, a 2,488.32-carat marvel whose story is still unfolding.



Discovered in August 2024 at Botswana’s Karowe Mine, the Motswedi immediately secured its place in history as the second-largest diamond ever unearthed, surpassed only by the legendary Cullinan Diamond of 1905. Classified as a Type IIa stone — meaning it possesses exceptional chemical purity with virtually no nitrogen impurities — the light brown gem-quality crystal represents the pinnacle of what nature can achieve over billions of years.



Today, the massive rough is in Antwerp under the careful scrutiny of HB Antwerp, where experts are conducting advanced scans and analyses to determine its ultimate value and fate. And that fate remains one of the most tantalizing questions in the diamond world.

At more than half a kilogram (17.58 ounces) and measuring more than 10 centimeters (about 4 inches) in length, Motswedi is not just rare — it’s a logistical and philosophical challenge. Should it be cut into a record-breaking polished diamond, potentially yielding a constellation of spectacular stones? Or should it remain intact, preserved as a once-in-a-century natural wonder?

“There’s no easy answer,” industry insiders suggest, noting that stones of this magnitude are within the reach of a limited pool of qualified buyers. Museums, private collectors and luxury houses are all potential suitors. Some institutions have already expressed interest in acquiring the diamond in its rough form, preferring to showcase its raw grandeur rather than alter it through cutting.

The name “Motswedi,” chosen through a national competition in Botswana, adds another layer of meaning. In Setswana, it translates to “water spring” or “source” — a poetic nod to something that emerges from deep within the earth to sustain and inspire life. It’s a fitting metaphor for a diamond that symbolizes both natural wonder and national pride.

Botswana’s diamond industry has long been a cornerstone of its economic success, and discoveries like Motswedi reinforce the country’s position as a global leader in diamond production. The Karowe mine, operated by Lucara Diamond Corp., has become renowned for producing exceptional “mega diamonds,” thanks in part to advanced X-ray transmission technology that allows large stones to be recovered intact.

Comparisons to the Cullinan are inevitable. The 3,106-carat Cullinan was famously cut into nine principal diamonds and nearly 100 smaller stones, many of which now reside in the British Crown Jewels. Motswedi could follow a similar path — potentially yielding multiple high-value gems — or it could chart a completely different course.

For now, Motswedi' 's next chapter remains unwritten. HB Antwerp’s ongoing evaluation will determine not only its potential yield but also its market value, which some estimates place well into the tens — or even hundreds — of millions of dollars.

Credits: Photos courtesy of CNW Group/Lucara Diamond Corp.

Following 23 years of operations and the recovery of more than 150 million carats of rough diamonds, Rio Tinto's Diavik Diamond Mine ceased production on March 24, 2026 — marking the end of an era that once seemed improbable from the very beginning.



Set beneath the icy waters of Canada's Lac de Gras, just 220 kilometers south of the Arctic Circle, Diavik was never a typical diamond mine. When diamond-bearing kimberlite pipes were discovered in 1991, few believed that such a remote, frozen landscape could yield a steady supply of gem-quality stones.

As Rio Tinto Iron & Titanium and Diamonds Managing Director Sophie Bergeron noted, “Forty years ago there were very few people who believed there were diamonds in Canada — even fewer could have foreseen how the Diavik story would unfold.”

What followed was a triumph of engineering and determination. Dikes were built to hold back the frigid lake waters, allowing access to four kimberlite pipes hidden beneath the surface.

“To arrive at this milestone has required vision, courage and determination to overcome significant challenges to mine diamonds beneath a frozen lake in one of the world’s most remote and pristine ecosystems,” Bergeron added.



From those unlikely beginnings emerged a steady stream of exceptional stones — primarily high-quality white diamonds, but also a handful of rare and unforgettable colored gems. Among them, none captured the imagination quite like the legendary “552,” a 552.74-carat yellow diamond unearthed in 2018. Roughly the size of a chicken egg, it remains one of the largest gem-quality diamonds ever discovered in North America.



We had the rare opportunity to view the extraordinary rough at Phillips in New York City in February 2021, where it was displayed ahead of its transformation into a polished gem. The spectacle was unforgettable — a glowing, bi-color crystal shifting from vibrant yellow to near-white.



That remarkable rough would eventually yield an equally dazzling result: "The Dancing Sun," a 204.36-carat fancy intense yellow cushion-cut diamond with VVS2 clarity. When it crossed the auction block at Christie's in New York in June 2021, it achieved nearly $5 million, cementing its place as the largest polished yellow diamond ever cut in North America.

Other notable finds from Diavik include the 187.7-carat “Diavik Foxfire” and a 158.2-carat yellow diamond recovered in 2025 — rare flashes of color from a mine best known for its icy white brilliance.

While production has ended, Diavik’s story is far from over. Closure and environmental reclamation efforts will continue through 2029, reflecting a long-standing commitment to restoring the land and honoring partnerships with Indigenous communities. Meanwhile, the final parcels of rough diamonds will continue to be polished and sold through Rio Tinto’s global network.

Credits: Diavik mine image courtesy of Rio Tinto. Phillips exhibition images by The Jeweler Blog. Image of “The Dancing Sun” courtesy of Christie’s.

The Los Angeles Dodgers added another dazzling chapter to their storied legacy on Friday, unveiling their 2025 World Series championship rings in a pregame ceremony ahead of their matchup with the Arizona Diamondbacks. Designed to commemorate both a historic back-to-back title run and the franchise’s ninth championship overall, the rings feature a unique ring-within-a-ring design and a secret windowed compartment filled with World Series Game 7 dirt.



Crafted in 14-karat yellow gold, the ring immediately commands attention with a bold, gem-encrusted top. The iconic “LA” logo is brought to life with 17 custom-cut blue sapphires, a nod to the 17 postseason victories required to secure the title. The words “WORLD CHAMPIONS” are rendered with 86 diamonds — 32 stones spelling “WORLD” and 54 forming “CHAMPIONS.” Punctuating the LA logo is a larger bezel-set diamond, representing the Dodgers’ status as baseball’s top team.

Behind the logo is a backdrop of 79 diamonds and 48 sapphires, while an additional 70 diamonds frame the top for added brilliance. Encircling the face are the years of the franchise’s nine World Series titles, punctuated by 15 sapphires — a subtle but powerful reminder of the team’s enduring excellence.



But what truly sets this ring apart is a top that unscrews to reveal a secret sapphire-accented band crafted in white gold. Beneath it lies perhaps the most creative element: a tiny glass enclosure etched with the Dodgers logo, preserving actual dirt collected from home plate at Toronto’s stadium following last year's decisive Game 7 victory.

Also within the hidden compartment are representations of two World Series trophies, each set with a single round diamond. A banner proclaiming the team’s “Back 2 Back” achievement — the first such feat in Major League Baseball in 25 years — streams across the two trophies.



The right side of the ring celebrates the 2025 season, with “DODGERS” and the year rendered in diamonds atop two diamond-accented World Series trophies and a Dodgers logo, while the left side personalizes each piece with the player’s name and number, accented by a row of 15 sapphires.

Even the smallest details carry meaning. The interior of the band is engraved with each player’s signature, along with playoff opponents, series scores and the date of the title-clinching Game 7. On the exterior, "4,012,470" is etched into the band — a tribute to the exact number of fans who filled Dodger Stadium and fueled the championship run.

Credits: Images courtesy of The Champions Collective by Jostens.

Welcome to Music Friday, when we revisit songs that shine a spotlight on jewelry, gemstones or precious metals. Today’s feature — “Does My Ring Burn Your Finger?” — finds Lee Ann Womack delivering one of the most emotionally raw performances of her career, using a wedding band as a powerful symbol of a love gone wrong.



Released in 2001 as part of her acclaimed album I Hope You Dance, the song tells the story of a wife grappling with betrayal. Her husband has strayed — and in a telling, heartbreaking gesture — he’s removed his wedding ring. What was once a cherished emblem of eternal commitment now seems to “burn,” as if the promise it represents has become too heavy, too guilt-ridden, or too inconvenient for him to bear.

She sings, “Did my ring burn your finger? / Did my love weigh you down? / Was a promise too much to keep around?”

The brilliance of the song lies in that central metaphor. A wedding band is traditionally a circle without end — a timeless expression of unity and devotion. But here, it transforms into something almost physical in its discomfort. Womack’s character wonders: Is it the weight of his infidelity that makes the ring unbearable? Or has the meaning behind it simply faded? The unanswered questions linger like an open wound.

Written by the husband-and-wife songwriting team of Buddy and Julie Miller, the track first appeared on Buddy Miller’s 1999 album before Womack made it her own. Her version struck a chord with listeners, climbing to #23 on the Billboard Hot Country Songs chart. Critics were equally captivated. USA Today famously named it the #1 song of 2001, praising Womack’s “searing, chill-conjuring performance.”

That intensity was on full display during her unforgettable live rendition at the 2001 CMA Awards — a performance so moving that even seasoned critics struggled to put its impact into words. Womack didn’t just sing the song; she embodied the anguish of a relationship unraveling in real time.

More than two decades later, Womack remains a vital voice in country and Americana music. She continues to tour selectively and is slated to appear at Alan Jackson’s Last Call: One for the Road Finale in June 2026. She has also released new material this year, including the introspective track “Middle Of A Storm.”

Born and raised in Jacksonville, TX, in 1966, Womack developed a love for country music at a young age. Her father was a DJ and often brought her to work to help him pick his playlist.

She emerged as a contemporary country artist in 1997 and was favorably compared to Dolly Parton and Tammy Wynette. Womack has released nine studio albums and sold more than six million albums worldwide. She has received five Academy of Country Music Awards, six Country Music Association Awards and a single Grammy Award.

Please check out the audio track of Womack performing “Does My Ring Burn Your Finger?” The lyrics are below if you’d like to sing along…

“Does My Ring Burn Your Finger?”
Written by Julie Miller and Steven Paul (Buddy) Miller. Performed by Lee Ann Womack.

When I gave you my heart
It was not what you wanted
Now the walls say your name
And the pictures are haunted
Does my ring burn your finger
Did my love weigh you down?
Was a promise too much to keep around?

I remember your words and I can’t keep from cryin’
I could never believe that your kisses were lyin’
Was there somethin’ from the past
Buried in a shallow grave?
Did you think that it was too far gone to save?

Please tell me baby
Please tell me now
You say that I should just go on
Now please tell me how, how, how

Now it’s just me and the night and I’m so broken hearted
I just wait in the dark here for my dearly departed
Did my ring burn your finger?
Did my love weigh you down?
Was a promise too much to keep around?



Credit: Image by Samantha L. Quigley, American Forces Press Service, Public domain, via Wikimedia Commons.

The Natural Diamond Council is inviting the world to celebrate the stories behind its most treasured gems with the launch of a brand-new global tradition: World Diamond Day.



The initiative designates April 8 for the annual celebration of natural diamonds — not just as luxury objects, but as powerful symbols of life’s most meaningful moments. From engagements and anniversaries to family heirlooms and personal milestones, the day is designed to spotlight the emotional connections that make diamonds truly enduring.

At the heart of World Diamond Day is a simple but highly interactive concept: Participants are encouraged to share photos or short videos of their own “diamond moments” across social media using the hashtags #WorldDiamondDay and #NaturalDiamonds. Whether it’s a newly gifted ring, a decades-old bracelet or a story tied to a significant life event, every post contributes to a global tapestry of personal expression.

The timing of April 8 is no coincidence. Diamond is the April birthstone, while the number eight carries symbolic weight across many cultures, often representing infinity, balance and lasting prosperity — qualities that align perfectly with the timeless appeal of natural diamonds.

To make participation easy and visually engaging, the NDC has created a dedicated online media portal. Through this platform, users can upload their own images, customize them with an official World Diamond Day logo and access ready-to-use digital assets designed to enhance their posts. The goal is to create a cohesive, worldwide celebration that feels both personal and unified.

Importantly, the initiative isn’t limited to the public. Members of the jewelry trade — from retailers and designers to miners and marketers — are strongly encouraged to join in. By sharing behind-the-scenes stories, craftsmanship insights or the journey of a diamond from mine to market, industry professionals can help deepen public appreciation for the authenticity and heritage of natural stones.

The NDC emphasizes that World Diamond Day is intended to be more than a marketing campaign. Instead, it’s envisioned as a “collective moment,” shaped by the voices and experiences of participants around the globe. In an era where so much can feel mass-produced or fleeting, the initiative aims to highlight what sets natural diamonds apart: their rarity, their billion-year journey and the deeply personal stories they come to represent.

Credits: World Diamond Day frame created using the Natural Diamond Council's social asset portal. Inset photo by The Jeweler Blog, generated by aichatapp.ai.

A remarkable archaeological discovery at Panama's El Caño Archaeological Park tells the story of how — more than 1,000 years ago — gold signified power, prestige and even the promise of a high-status afterlife.



Hidden for centuries beneath the soil of central Panama, the “gold-laden” burial known as Tomb 3 was the resting place of a male leader — likely a powerful chieftain — who was surrounded by extraordinary riches and the remains of others believed to have been sacrificed to accompany him into the next world.



The “Lord of Tomb 3” was adorned with an impressive array of gold treasures that speak to both his authority in life and his intended status in the afterlife. Among the most striking finds are large gold chest plates, known as pectorals, designed to cover the torso with shimmering brilliance. These are complemented by finely crafted gold bracelets, earrings and strands of gold belt beads that would have encircled the waist in life — and symbolically in death. All the items were dated to approximately 800–1000 AD.



Some of the ornaments feature intricate motifs inspired by nature, including crocodiles and bats, animals that likely held spiritual or symbolic meaning within the Gran Coclé culture. Archaeologists also recovered gold-capped sperm whale teeth, decorative bells and finely made ceramics, further underscoring the sophistication and artistry of this pre-Hispanic society.

What makes the discovery particularly compelling is the tomb’s carefully orchestrated layout. The central figure was placed in a prominent position, surrounded by both treasures and human remains, reflecting a deeply rooted belief that status, wealth and companionship extended beyond death. In this worldview, gold was far more than adornment — it was a lasting emblem of identity, lineage and power meant to endure eternally.

Although Tomb 3 was first identified as early as 2009, archaeologists only recently uncovered the full extent of its complexity and richness. Initial clues — including fragments of ceramics and metal — hinted at something significant, but the latest excavation season revealed a far more elaborate funerary structure than anyone had anticipated.

The find reinforces the importance of El Caño as one of Central America’s most significant pre-Hispanic ceremonial cemeteries, often compared to Egypt's “Valley of the Kings.” Over a period of roughly 200 years, this site served as a burial ground for elite leaders whose wealth and influence were immortalized through gold.

Credits: Images courtesy of Panama Ministry of Culture.

A dazzling flawless diamond with a name rich in Asian symbolism made its debut on the global stage this past Thursday, just ahead of its highly anticipated auction appearance.



Unveiled in London, the “Jwaneng 28.88” is a 28.88-carat, D-color, internally flawless round brilliant diamond expected to fetch as much as $2.8 million when it crosses the block at Sotheby's High Jewelry sale in Hong Kong on April 23.

Beyond its exceptional gemological credentials, the diamond’s name — and even its estimate — carries special meaning: In many Asian cultures, the number eight is associated with prosperity, abundance and good fortune, making “28.88” an especially auspicious figure.

The stone’s journey began deep beneath the sands of Botswana at the famed Jwaneng Mine, widely known as the richest diamond mine in the world by value. Operated by Debswana — a 50/50 partnership between De Beers and the government of Botswana — Jwaneng has built its reputation on producing high volumes of exceptionally high-quality diamonds. Its legacy includes the recovery of a 1,098-carat gem-quality rough in 2021, one of the largest diamonds ever discovered.

The Jwaneng 28.88 began as a substantial 114.83-carat rough stone, which underwent months of meticulous planning and precision cutting by De Beers’ master artisans. The result is a Type IIa diamond — a classification reserved for fewer than 2% of all natural diamonds — prized for its extraordinary chemical purity and remarkable optical transparency.

“The Jwaneng 28.88 is a perfect emblem of De Beers’ unmatched legacy in diamonds,” said Quig Bruning, head of jewels at Sotheby’s. “It’s at once a vanishingly rare feat of nature, combined with a master class in diamond cutting and polishing. Natural diamonds truly are forever, and I cannot think of a better stone to symbolize this special collaboration.”

The unveiling took place at the elegant Maison Assouline boutique in London and coincided with the release of the book A Diamond Is Forever: The Making of a Cultural Icon, 1926–2026. The publication celebrates the enduring cultural significance of diamonds and the legacy of De Beers’ iconic marketing, which helped define modern notions of romance and commitment.



The Jwaneng 28.88 will hit the auction block in Hong Kong along with two other D-flawless lots from De Beers — a 3.03-carat pear-shaped solitaire ring and a pair of earrings, each set with a 2-carat round diamond.

Credits: Photos courtesy of Sotheby’s.

NASA scientists have confirmed the presence of rubies and sapphires on the surface of Mars.



The finding comes courtesy of NASA’s Perseverance rover, which has been exploring the rocky terrain of Jezero Crater in search of clues about the planet’s past. Using its advanced SuperCam instrument, the rover detected tiny grains of corundum (the mineral that forms ruby and sapphire) embedded in Martian pebbles. Each grain measured less than 0.2 millimeters across.

Though far too small to fashion into jewelry, these microscopic crystals lit up under the rover’s laser, revealing their identity through a distinctive glow.

Presented by Ann Ollila at the Lunar and Planetary Science Conference in Texas on March 16, the results surprised researchers. On Earth, corundum typically forms deep within the planet under intense heat and pressure linked to tectonic activity. Mars, however, lacks the kind of plate tectonics that drives those processes.

So how did ruby- and sapphire-forming minerals end up on the Red Planet?

Scientists believe the answer lies in impacts — specifically, the powerful collisions between Mars and meteorites over billions of years. When these high-speed impacts occur, they generate extraordinary heat and pressure in an instant, effectively mimicking (and sometimes exceeding) the conditions needed to form corundum. In this scenario, aluminum-rich, silica-poor materials are rapidly transformed into tiny crystals during what scientists call “impact metamorphism.”

The small size of the Martian corundum grains actually supports this theory. On Earth and the Moon, impact-related corundum tends to form as minuscule particles rather than large, gem-quality crystals. The pebbles analyzed by Perseverance — nicknamed “Hampden River,” “Coffee Cove,” and “Smiths Harbour” — appear to fit that pattern perfectly.

For jewelry enthusiasts, the discovery adds a fascinating new chapter to the story of gemstones. It suggests that the processes capable of creating ruby and sapphire aren’t limited to Earth — they can occur anywhere in the universe where the right ingredients and extreme conditions collide.

And corundum isn’t the only gem-like material found on Mars. Previous expeditions into the Jezero Crater have uncovered evidence of opal, a hydrated silica mineral that typically forms in the presence of water. That discovery hinted at Mars’ wetter past, while the new corundum findings point to a history shaped by intense, high-energy impacts.

Credit: NASA’s Perseverance rover image (cropped) by semeion.photo, Public domain, via Wikimedia Commons.